
Forty Years of Innovation and Leadership
Midas have a long history of Innovation and leadership in the world of audio mixing
consoles, which continues to this day.
Originally formed in 1970 by Je Byers and Charles Brooke, Je became fascinated by the
concept of improving and rening professional audio systems, and so Midas went on to
develop the rst fully integrated modular audio system, comprising consoles, crossovers,
ampliers and speaker systems in conjunction with Dave Martin, which became the
calibrated Midas/Martin system of the 1970’s.
The rst Midas mixer to achieve major success was the PR04, a modular console, and
forerunner to the XL3, the rst Midas to feature VCA groups, and the world’s rst truly dual-
purpose console. In 1990, this innovation changed the way the a generation of engineers
approached the art of mixing, opened new creative possibilities and set the scene for the
greatest analogue console ever built, the XL4.
The XL4 set the benchmark for the next decade. Audio engineers were amazed at the sheer
depth and scope of what they were able to achieve with the unbeatable combination of the
XL4’s audio performance and comprehensive moving-fader automation. Many elements of
this legendary console are still available to today’s engineers in the current range of Midas
digital mixing systems.
Always seeking to redene the boundaries of audio performance and exibility, the turn of
the century saw the launch of the ubiquitous Heritage 3000. Midas employed the ultimate
distillation of design and experience into creating the perfect roadworthy touring console.
The Heritage 2000 and the theatre orientated Heritage 1000 complete the line up.
Innovation continued into the new millennium with the Legend 3000, the world’s rst Tri-
purpose console, and the Verona and Siena, which revitalized and redened the market for
the medium format console.
Then, in 2006, Digital went Midas.
When the Midas XL8 was launched, it set new standards for audio quality, ease of use, power,
exibility, and creative potential which, in 2010, have yet to be matched. No other live digital
audio console can compete with the sample-synchronous audio performance, expandable
network topology, and sheer ease of use which are the trademarks of all Midas digital
systems. The XL8 has become the system of choice for prestigious installations, major touring
artistes, Theatres and concert venues the world over, including many unique international
events where compromise is not an option.
PRO6 strengthened Midas’ digital range in 2008, which shares the same sample synchronised
audio performance as the XL8 and its extensive networked audio system. The PRO6 is a
common sight at front of house and monitor positions in concert touring as well as global
events such as the Eurovision Song contest where a number of PRO6s form part of a large
audio network along with XL8s. The PRO3 and PRO9 have since been added creating the
PRO series, now oering a choice from 48 up to 88 simultaneous mixed inputs allowing even
more touring riders and professional installations to take advantage of Midas’ digital features.
All Midas digital consoles feature multiple types of channel EQ and dynamics plus an
extensive set of fully time aligned and dynamically re-patchable eects processing
devices. The comprehensive theatre grade scene automation system can also dynamically
recongure 800+ inputs and outputs on a scene by scene basis.
The ground breaking ultra low latency audio networking technology developed for the XL8
and PRO series is now available for many more applications with the introduction of the
Midas standalone digital snake and audio distribution range, which includes an aordable
xed 48 mic in/16 line out system, a fully exible 64/64 system and a high performance mic
splitter system with up to 3km distant dual remote ends.
The Midas commitment to innovation was recognised in 2009 with Alex Cooper, Midas
R&D Director, receiving the prestigious Gottelier Award, only the third person to be so
honoured. This award recognises the product developers who have made a signicant and
sustained contribution to the development of equipment and tools that have enabled
entertainment technology practitioners to push the boundaries of event production,
presentation and installation.
In 2010 Digital is Midas.
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